Description

• Fisher’s reflection on the history and technologies of seeing also includes a form of appropriation and transformation, of irony and lightness. This reading of (art) history, as well as autobiographical elements are characteristic of the artist’s much-anticipated writings, in which Morgan Fisher is eruditely weaving each of his works into a cosmos of intellectual figures and autobiographical and historical references. The discursive reflections of his own works are complemented by texts on other artists such as Carl Andre, Blinky Palermo, et al.