Events so far. This phrase promises continuity. In our daily serial lives we expect a recap of previous episodes to help us find our way into the story. Yet in its claim to control a plot and its characters by specifying their time, place and identity, this phrase turns out to be a manifestation of seriality itself: the only thing certain is that the narrative elements will reappear. Now it becomes a matter of time whether their reappearance will reproduce what has already happened or offer something new or possible, and how these two reappearances or repetitions will differ or blend into each other. For over time, the narrative elements become disassociated from the contexts that once subordinated them to content. They liberate themselves from representation and its narrative, and refer to a never-ending before and after. Whatever happens is at the same time part of a series and the series itself. That’s why there is no overarching story or theory. There’s a multitude of lose ends that enable ever new connections.
from: Eva Meyer, “Events so far,” in unExhibit (2011)

Eva Meyer (b. Freiburg 1950, lives in Berlin) is an author and filmmaker. She studied philosophy, art history, archaeology and Romance studies in Freiburg and Berlin. She has taught in several countries and is currently a lecturer at the ZHdK, Zurich University of the Arts. Numerous publications, including: Zählen und Erzählen. Für eine Semiotik des Weiblichen (1983); Architexturen (1986); Die Autobiographie der Schrift (1989); Der Unterschied, der eine Umgebung schafft. Kybernetik – Psychoanalyse – Feminismus (1990); Tischgesellschaft (1995); Faltsache (1996); Glückliche Hochzeiten (1999); Von jetzt an werde ich mehrere sein (2003); What Does the Veil Know? (2009), ed. with Vivian Liska; Frei und indirekt (2010). Films (with Eran Schaerf), including: Documentary Credit (1998); Europe from Afar (1999); Flashforward (2004); She Might Belong to You (2007); My Memory Observes Me (2008); Pro Testing (2010).

Maria Eichhorn (b. Bamberg 1962) is an artist and lives in Berlin. She studied at the Berlin University of the Arts (HdK) from 1984 to 1990. In 1992, she received the George Maciunas Prize; in 2002, the Arnold Bode Prize. Her work has been on display in many solo and group shows, including at the Centre Pompidou, Paris (2009), the San Francisco Museum of Modern Art (2009), the ICA, Institute of Contemporary Art, London (2008), the Van Abbemuseum, Eindhoven (2007), the Centre de l’image contemporaine, Montréal (2006), and the Generali Foundation, Vienna (2005, 1996). She participated in the Istanbul Biennial (1995, 2005), the Berlin Biennial (2004, 2008), Documenta11, Kassel (2002), and Skulptur Projekte Münster (1997), and other exhibitions. Most recently, her work was on display in the solo show "Zimmerstraße 88/89, 10117 Berlin" at Galerie Barbara Weiss, Berlin (2011). Eichhorn’s numerous publications include the monographs Maria Eichhorn. The Artist’s Contract (2009) and Maria Eichhorn Aktiengesellschaft (2007). 

Willem Oorebeek (b. Pernis/NL 1953) is an artist and lives in Brussels. His conceptual works, installations, and book projects have been presented in numerous solo and group exhibitions, including at the Fundação Caixa Geral de Depósitos—Culturgest, Lisbon (2008), the S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent (2006), the Badischer Kunstverein, Karlsruhe (2004) (with Joëlle Tuerlinckx), and the Witte de With, Center for Contemporary Art, Rotterdam (1994). Oorebeek and Aernout Mik co-designed the Dutch pavilion for the 47th Venice Biennial (1997). He has also published numerous artist’s books, including Willem Oorebeek. MetZonderKOP (2005) and Joëlle Tuerlinckx, Willem Oorebeek. BILD, oder MIT DEM FUSS IN DER REALITÄT (2004). Willem Oorebeek was a lecturer at the Jan van Eyck Academie, Maastricht, at "de Ateliers," Amsterdam, and at the University of Fine Arts, Hamburg. He is currently coordinator of the residency program at the Wiels, Contemporary Art Center, Brussels

Johannes Porsch is an artist, curator, and author. He is an artistic researcher at the Academy of Fine Arts Vienna in connection with the research project “Troubling Research” (since 2010), and was a curator at Architekturzentrum Wien, Vienna (2001–2007). Writings, exhibitions, und publications that examine politics of representation and the associatedprocesses of subjectivation, including Sturm der Ruhe. What is Architecture (2001), The Austrian Phenomenon (2004/2009), Ottokar Uhl. After the Rules of Architecture (2005), Un jardin d’hiver, presents (2006), Chinaproduction (2007), Suche Bauplatz für Moschee/Aa (2008/2010), Transitory Objects (2009), and To Make Oneself Similar in this Sense (2010), together with Tanja Widmann and David Jourdan.